Fumihiko Maki


An in-depth examination of 50 years of the architecture and thinking of Fumihiko Maki.


Fumihiko Maki, Kenneth Frampton, Mark Mulligan, David Stewart


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Fumihiko Maki

Resumen del libro
  • Fumihiko Maki (b.1928) is one of the most influential architects of the late 20th century, recognized internationally for his thoughtful, subtle and technologically innovative buildings
  • Includes Maki’s own selection of over 40 of his most significant projects, including the National Museum of Art in Kyoto and the Tokyo Metropolitan Gymnasium, as well as a description of each project and discussion of the role it played in his architectural development
  • Features a variety of global projects such as Tower 4 at the World Trade Center, New York (scheduled to open 2011); the Media Arts and Sciences building at the Massachusetts Institute of Technology; Novartis Campus Building WSJ-174 in Basel; the Republic Polytechnic campus in Singapore and the Center for the Arts, Yerba Buena Gardens in San Francisco
  • Features a wide range of projects over a 50-year period, from early experimental work to buildings currently under construction, illustrated with photographs, drawings, models, diagrams and computer renderings
  • Contains essays by prominent architectural historians Kenneth Frampton, David B Stewart and Mark Mulligan



Specifications

About the book
Fumihiko Maki (b. 1928), who was honoured with a Pritzker Prize in 1993, is known for subtle but technologically innovative buildings that thoughtfully relate to the people who use them and to their surroundings. This volume includes over 40 key projects selected by Maki, each of which is illustrated in detail and described by Maki himself, including analysis of how they have influenced his design thinking. Three prominent historians, Kenneth Frampton, David Stewart, and Mark Mulligan, have contributed essays on different aspects of Maki's life and work. The inclusion of a wide range of projects, from early experimental work to buildings under construction now, allows the reader to understand 50 years of the work of this master architect.


 

About the author(s)
Fumihiko Maki (b.1928) is principal of Maki & Associates in Tokyo and a 1993 recipient of the Pritzker Prize. Major projects have included the National Museum of Art in Kyoto, the Tokyo Metropolitan Gymnasium, and the Yerba Buena Gardens Visual Arts Center in San Francisco. Maki's current projects include Tower 4 at the former World Trade Center site (scheduled to open in 2011), the Massachusetts Institute of Technology's media lab and the Aga Khan Development Network's Delegation of the Ismaili Imamat in Ottawa, Canada.

Kenneth Frampton is an internationally respected architectural critic who holds the Ware Professorship at the Graduate School of Architecture and Planning, Columbia University, New York. He lectures extensively in the US and Europe, and has also written, edited and contributed to numerous publications on contemporary architecture. He is the author of Modern Architecture: A Critical History (1980; revised 1985 and 1992) and Studies in Tectonic Culture (1997). His collected essays Labour, Work and Architecture were published by Phaidon in 2002.

Mark Mulligan is a registered architect and a faculty member at the Graduate School of Design. His practice focuses on modern houses in the US and abroad that are sensitively related to their local climate, environment and culture. Mulligan teaches courses in architectural technology, focusing on the relationship between design, detail, and construction, as well as design studios at the GSD. He has written and published articles about contemporary Japanese architecture as well as translating Japanese authors into English.

David B. Stewart has taught in Japan as Ministry of Education Foreign Professor at Tokyo Institute of Technology since 1975. He was trained as an architectural historian at the Courtauld Institute of Art at the University of London by the late Professor Sir Nikolaus Pevsner, under whose supervision he earned his Ph.D. Dr. Stewart is widely known in Japan and abroad as an architectural commentator and contributor to a number of specialist publications, as well as for his Making of a Modern Japanese Architecture: from 1868 to the Present (Kodansha International, l987).



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