Shigeru Ban


A survey of this Japan-based rising star among young, world-class architects.


Matilda McQuaid, with a foreword by Frei Otto


Editions:

Price: USD$75.00

This edition is temporarily out of stock



Resumen del libro
  • Shigeru Ban (b.1957), based in Japan, is a rising star among young, world-class architects
  • Documents 32 projects, including 15 new projects begun since 2001 in Japan, China, the US and France
  • Ban is renowned for experimental structures built with paper and paper tubes
  • Ban practises 'green' architecture, working with recyclable, affordable, natural materials
  • Includes technical data sections documenting Ban's original research
  • Unique design of book reflects Ban's experiments with paper



Specifications

About the book

Based in Japan and one of an emerging generation of young, world-class architects, Shigeru Ban (b.1957) designs and builds graceful, serene structures using modest and experimental materials such as cardboard, paper tubes, bamboo and prefabricated wood. His buildings are sometimes soaring and birdlike, sometimes simple, grounded, and evocative of the Japanese aesthetic, but always harmoniously integrated with, and respectful of, their surrounding environments.

Ban has designed projects at both ends of the client spectrum: from one-room temporary houses made of paper tubes for earthquake refugees worldwide to a 14,000 square-foot country house in Sharon, Connecticut, his first US commission. His humanitarian efforts and his interest in recyclable, affordable, natural materials have won praise and attention from museums and critics in America and Europe. Ban's 'Curtain Wall House' was a favourite entry in the Museum of Modern Art's 'Un-Private House' exhibition in 1999. He has gone on to design a museum for children in Japan, a canal museum in France, and a private art museum in Belgium. He was included in the 2000 and 2002 Venice Biennales, and created the Japan Pavilion for Expo 2000 in Hanover, Germany. He was a member of the Think team of architects selected in February 2003 as one of two final teams to compete for the commission to design the new World Trade Center site in New York.

This monograph is only the second book on Ban in print and, unlike the first publication, it is impressively up-to-the-minute and exhaustive. Designed in Japan and in collaboration with Ban himself, Shigeru Ban is divided into sections that reflect with sensitivity the architect's approach to materials, and presents 32 entire projects - all of which are illustrated with colour photographs, plans and sketches.




In The Press
'For all his experimentation, Ban is not simply a technician. He is just as interested in spatial concepts and social projects. It's this range and his lateral thinking that come across in the wonderful book, leaving one in no doubt that Ban, at only 46, is probably the most dazzling figure on Japan's architectural scene today.' (Royal Institute of British Architects Journal)

'Phaidon’s single architect monographs are a delectable way to take in an architect’s oeuvre, and this new book on Shigeru Ban is no exception.' (Wallpaper*)

'As a record of an important body of work, this book can be thoroughly recommended … elegantly designed … and beautifully printed. The range of projects is sufficiently varied to sustain coverage at this length.' (Building Design)

'The book also rightly presents Ban not simply as a Japanese architect but as a 'global architect'.' (AA (Architectural Association) Files)

'Handsome … an excellent introduction to the work of Ban … the colour reproductions of the buildings are excellent.' (Resurgence)

'This fittingly cardboard-covered monograph presents Ban’s extraordinary architecture as well as detailed technical data on the structural capabilities of various paper products. Ban’s material research is as impressive as his designs are sublime.' (The Architect’s Newspaper)

'This new monograph on Shigeru Ban’s oeuvre is a valuable reference for likeminded architects.' (Architecture)

'A volume … as straightforward and elegant as the thirty-two projects portrayed within.' (Journal of Architectural Education)


About the author(s)

Matilda McQuaid is Exhibitions Curator and Head of the Textiles Department at the Cooper-Hewitt National Design Museum in New York, and until 2001, was Associate Curator in the Department of Architecture and Design at the Museum of Modern Art, New York. She is the author of numerous essays on architecture, textiles and fibre art in journals and museum publications, including a contribution to Envisioning Architecture: Drawings from the Museum of Modern Art (Museum of Modern Art, 2002), which she also edited.

Frei Otto is an eminent architect based in Germany, who has pioneered research in lightweight membranes and innovative structures. He founded the Development Centre for Lightweight Construction in Berlin in 1957, which later became the Institute for Lightweight Structures in Stuttgart. He collaborated with Shigeru Ban on the Japan Pavilion for Expo 2000 in Hanover, Germany.



NEW TITLES

Shiro Kuramata
Sicily
Joel Meyerowitz: Taking My Time
Chris Johanson
Collecting Art for Love, Money and More
René Burri: Impossible Reminiscences
Where Chefs Eat
Vitamin D2
Art and Queer Culture
Francis Bacon
David Smith
Andy Warhol